“January” was written in the People’s Key of G, and I keep one finger or another on the third fret of the high “E” consistently while I play it. I don’t know that it’s essential to do it to make it sound like January, but these are, in general, the fingerings that I’m using for…
It’s tab time again! “Here Goes Nothing” is a fairly droney album, and as we move into “the peoples’ key” of G, you’ll see that thread continuing:
Maybe I should have just put the primer up ahead of this album, about the whole thing being in a droney “E” key, but just in case you’re not trying to learn every song and have started with “Enough,” here is a quick-and-dirty key to the fingerings of these chords as I’m noting them (since…
This song will work your arms right! Each hit in the verse is a downstroke, with a muting downstroke immediately following. I play the Dm7 in the fifth position, the C in the third, the Bb in the first.
Just like with Calling You Out, this follows the drone-chord key of E. Here are the funky fingerings you’ll come up against here:
“Calling You Out” isn’t necessarily the easiest song to learn, but once you know the chords, you’ll find that it’s the easiest song to play. Like much of Here Goes Nothing, “Calling You Out” is written in the key of E, and is a typical show of my love of drone chords. I’ve tabbed it…